Weblinks: Official Website, Steam, GOG.com
Classic first-person shooters are without question my favourite video game genre. Having grown up on games like Doom and Duke Nukem 3D and then later falling in love with Blood, I often still find myself drawn to my collection of classic FPS titles, either to replay old favourites or to try for the first time one of the few stragglers that have somehow managed to escape my notice. It is a deep well of FPS games I have, but it is by no means limitless, and it is here that I encounter a problem.
Despite being similar to the Shareware scene that spawned so many classic FPS titles, the modern Indie market has so far failed to provide me with many games that scratch the same itch. Instead I have been forced to expand my horizons to genres that I had no prior affinity with, and while there is value in that, it would be nice to be able to sit down and play more Indie games that can satisfy both my classic FPS craving while at the same time pushing the genre forward.
Ziggurat attempts to do both, and it wins my respect for that. Developed by Spanish based Milkstone Studios the game welds classic FPS action inspired by games such as Heretic and Hexen onto the frame of a modern rogue-lite, challenging players to survive five floors of procedurally generated content. As with most rogue-lites death is permanent, but even a failed attempt can unlock more possible perks, weapons, or characters to go into battle with the next time.
Combat itself takes on the form of a swarm shooter, with you being locked into closed rooms and forced to contend with waves of spawned monsters. It is a trend in modern FPS design I do not actually appreciate, especially since it has grown to largely encompass most people's understanding of what a retro styled FPS is, disregarding the importance that smart enemy and item placements had in those games. In Ziggurat though it does at least gel with the rest of the game's randomized nature.
To help keep things interesting Ziggurat features a wealth of weapon and enemy permutations, as well as a variety of different room types and combat modifiers. These either introduce puzzle elements or force the player to fight from a different angle. Perks are also introduced each time your experience levels up or when you find a secret room, giving you access to a selection of variable upgrades, while shrines and mystery boxes can be used to shake things up even further.
In the end though all this shows is that Ziggurat is in constant need of running away from itself. The demands of the game's procedural generation have forced its designers to keep the base game simple, something that becomes all the more apparent the more time you spend with it. Things quickly become routine in spite of the randomized differences, causing the game to ultimately lack the crafted feel that made so many classic FPS games endearing.
What saves Ziggurat then is its charm. Its dark fantasy setting sets it apart just as it did its forebears, although like with Heretic and Hexen the game's magical weapons still feel more like reskined guns than they do real eldritch tools. Enemies include such oddities as man eating carrots, and a great deal of the combat modifiers are nice and inventive, such as the one that forces you to hop around like a frog. These touches do more to enrich the game than any amount of internal math ever could.
People forget that the original Doom was an Indie game. Many classic FPS titles were made by small teams crafting their own unique visions, creating experiences that were far more personal and novel than any big budget production can be. Indie game development has revitalized many genres long thought to be dead or dormant, and Ziggurat proves that classic FPS games need not be an exception. Ziggurat may not be perfect, but it is precisely the kind of thing I want to see more.
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